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As one of a pair of delicately carved, ivory statuette-pendants, this female figure stands upright, as opposed to her counterpart whose head and upper body lean slightly forward. Both, however, have a round head with a convex face; large, coffeebean-shaped eyes; a rectangular mouth with prominent lips; a cylindrical neck; and, a coiffure decorated on the back with a cruciform pattern. Additionally, both female figures clutch their breasts in their hands. The statuettes have been pierced through, allowing them to suspend from a string.
Luba (Luba (culture or style))
Power Figure
1845 – 1855
Gift of Candis and Helmut Stern
2005/1.220.1

Congo (Democratic Republic of the Congo) (Congolese (Democratic Republic of Congo culture))
Hunter's Whistle
1945 – 1955
Gift of the Friends of the Museum of Art and Dorothy H. Lamming
1987/2.47

Japanese (Japanese (culture or style))
Ivory figure of scholar (snuff bottle?)
1920 – 1950
Gift of Mr. Robert W. Coggan
1980/2.85

Congo (Democratic Republic of the Congo) (Congolese (Democratic Republic of Congo culture))
Letter Opener
1905 – 1915
Gift in Memory of Rudolph B. Rottam
1984/2.55
One of a pair of delicately carved, hippopotamus ivory statuette-pendants.  This female figure's head and upper body lean slightly forward, as opposed to her counterpart who stands upright.  Both, however, have been carved by the same hand and display the hallmark characteristics of the northeastern Luba stylistic form, namely: the round head with a convex face, large, coffeebean-shaped eyes, a rectangular mouth with prominent lips, a cylindrical neck, and a coiffure decorated on the back with a cruciform pattern. Additionally, both female figures clutch their breasts in their hands, a pose commonly seen among Luba sculptures of women. The statuettes have been pierced through, allowing them to suspend from a string.
Luba (Luba (culture or style))
Power Figure
1845 – 1855
Gift of Candis and Helmut Stern
2005/1.220.2
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